Elaina Martin: How the West Was Fun
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Photos by Andre Gagne
When it comes to summing up the popular festival she created 14-years ago, Elaina Martin likes to keep it simple: “It means community.”
She’ll be the first to say how it “ain’t no party like a Westfest party”. For three days in June, Martin’s communal festival vision flourishes now in Mechanicsville’s Laroche Park. Families lay out a picnic, children giddily run about, people shop at the unique artisan tents or take in the culture at the Indigenous Pavilion and, of course, there’s music culled from an ever growing crop of local talent. And it’s all free.
The inclusiveness of the event is paramount to Martin. As an openly gay woman, a lot of her early days were spent overcoming sexual violence and intolerance. Fights would leave her battered but never fully broken. The self-proclaimed “loud and proud queer woman” left that “hurtful, homophobic and widely uneducated” life behind her 26-years ago and hasn’t looked back.
“They took my teeth and broke my bones. I needed to leave. I know I’d have died there,” she says.
A skilled producer, Martin would settle in Ottawa becoming instrumental in bringing artists like Cyndi Lauper, the Indigo Girls and Ani DiFranco to the city. She also put together two Rock City Women’s Festivals out in Wakefield. Music is what puts her in motion, not surprising considering she started her career as a musician herself.
“Music is, was and will always be my saviour. It healed me, I’ve watched it heal others, it is medicine,” Martin says, reflecting back on her days fronting a country band and “wild times” as a weekly act inside the Silhouette Lounge of the Centretown Pub, one of Ottawa’s first gay bars.
The gig eventually led to Elaina and The Chain, a band she formed with a local piano player. The duo performed four nights a week for nearly three years and opened for acts like Jann Arden. The sudden passing of her partner, one she calls her brother, saw Martin closing the book on her musical aspirations.
“He died and I put my mic down. I just couldn’t pick it back up after that day. Now, I have the worst stage fright imaginable. It’s all quite surreal,” she says, adding that, despite coming out of retirement for a few songs at the recent Westfest All-Stars show, her focus now remains on her producing work.
Westfest, she says, was just a natural progression of everything she had been doing before. The music, the want to unite community and the production skills all came together in 2004 with Jane Siberry headlining the inaugural event. The next year the one day festival became two and then three. Headliners over the years include such names as Kathleen Edwards, A Tribe Called Red and Buffy Sainte-Marie.
Soon a single stage wasn’t enough and the event became an all-out street party. The fifth anniversary saw over 100,000 people attend showing a much needed revamp was in order. In 2011 the festival moved into an expanded space behind the Real Canadian Superstore. Each year, it was getting bigger than Martin and her team of volunteers ever dreamed it would which was simultaneously wonderful and problematic.
Martin saw the festival moving away from its roots and when the Westboro BIA opted out of financial support in 2015, she viewed this as a blessing in disguise.
“I am finally programming the festival I have always wanted to, with no restrictions, no other opinions of people who are not skilled in the music and art world,” says Martin on the festival’s move off the street and into the park last year.